TRASHED
no place for waste!
Jeremy Irons stands on a beach beside the ancient Lebanese city of Sidon. Above him towers a mountain of rubbish-a pullulating eyesore of medical waste, household trash, toxic fluids and dead animals-the result of thirty years of consumption by just one small city out of how many in the world? As the day's new consignments are tipped on top, debris tumbles off the side and into the blue of the Mediterranean. Surrounded by a vast reach of plastic bottles, a forlorn Jeremy Irons stares at the horizon. "Appalling," he mutters.
In the new docu-feature TRASHED, a Blenheim Films production, produced and directed by British filmmaker Candida Brady (Madam and the Dying Swan), which has been selected to receive a Special Screening at the Cannes Film Festival this month, Irons sets out to discover the extent and effects of the global waste problem, as he travels around the world to beautiful destinations tainted by pollution. This is a meticulous, brave investigative journey that takes Irons (and us) from scepticism to sorrow and from horror to hope. Brady's narrative is vividly propelled by an original score created by Academy Award winning composer Vangelis.
The beauty of our planet from space forms a violent contrast to the scenes of human detritus across the globe. Vast landscapes in China are covered in tons of rubbish. The wide waters of the Ciliwung River in Indonesia are now barely visible under a never-ending tide of plastic. Children swim among leaking bags; mothers wash in the sewage-filled supply. Each year, we now throw away fifty-eight billion disposable cups, billions of plastic bags, 200 billion litres of water bottles, billions of tons of household waste, toxic waste and e-waste.
We buy it, we bury it, we burn it and then we ignore it. Does anyone think about what happens to all the trash we produce? We keep making things that do not break down. We have all heard these horrifying facts before, but with Jeremy Irons as our guide, we discover what happens to the billion or so tons of waste that goes unaccounted for each year. On a boat in the North Pacific he faces the reality of the Great Pacific Garbage Patch and the effect of plastic waste on marine life. We learn that chlorinated dioxins and other man-made Persistent Organic Pollutants are attracted to the plastic fragments. These are eaten by fish, which absorb the toxins. We then eat the fish, accumulating more poisonous chemicals in our already burdened bodies. Meanwhile, global warming, accelerated by these emissions from landfill and incineration, is melting the ice-caps and releasing decades of these old poisons, which had been stored in the ice, back into the sea. And we learn that some of the solutions are as frightening and toxic as the problem itself.
We hope the film will demonstrate that by changing the way we live our lives, we can contribute to our own survival and well-being and ultimately that of the planet.
Academy Award winning actor Jeremy Irons is no stranger to taking centre stage. But his role as our guide in TRASHED highlighting solutions to the pressing environmental problems facing us all, could well be his most important yet. "We've made this movie, because there are so many people who feel strongly the urgent need for the problem of 'waste' and 'sustainability' to be addressed," Irons says. "There is an equally urgent need for the most imaginative and productive solutions to this troublesome subject to be understood and shared by as many communities as possible throughout the world. This is where movies can play such an important role, educating society, bringing 'difficult' subjects to the broadest possible audience.
If you look at Al Gore's Inconvenient Truth, like it or loathe it, everyone's heard of it. Potentially movies have the power to reach everyone, touch us on an emotional level and to galvanise us." Candida Brady spent over two years researching and filming TRASHED, but Brady has been focused on the problems of waste and the environment for most of her adult life. "As a lifelong asthmatic I have always been interested in the effects of pollution. But it was meeting an environmental doctor (who saved my life) that opened my eyes to the direct effects the environment has on our health," explains Brady. "When I was young I was the only kid with an inhaler-these days it's fast becoming the opposite."
Having faced the worst through much of TRASHED, Jeremy Irons turns to hope. He goes in search of solutions. From individuals who have changed their lives and produce almost no waste, to increasing anti-waste legislation, to an entire city which is now virtually waste-free, he discovers that change is not only essential, but happening.
In the new docu-feature TRASHED, a Blenheim Films production, produced and directed by British filmmaker Candida Brady (Madam and the Dying Swan), which has been selected to receive a Special Screening at the Cannes Film Festival this month, Irons sets out to discover the extent and effects of the global waste problem, as he travels around the world to beautiful destinations tainted by pollution. This is a meticulous, brave investigative journey that takes Irons (and us) from scepticism to sorrow and from horror to hope. Brady's narrative is vividly propelled by an original score created by Academy Award winning composer Vangelis.
The beauty of our planet from space forms a violent contrast to the scenes of human detritus across the globe. Vast landscapes in China are covered in tons of rubbish. The wide waters of the Ciliwung River in Indonesia are now barely visible under a never-ending tide of plastic. Children swim among leaking bags; mothers wash in the sewage-filled supply. Each year, we now throw away fifty-eight billion disposable cups, billions of plastic bags, 200 billion litres of water bottles, billions of tons of household waste, toxic waste and e-waste.
We buy it, we bury it, we burn it and then we ignore it. Does anyone think about what happens to all the trash we produce? We keep making things that do not break down. We have all heard these horrifying facts before, but with Jeremy Irons as our guide, we discover what happens to the billion or so tons of waste that goes unaccounted for each year. On a boat in the North Pacific he faces the reality of the Great Pacific Garbage Patch and the effect of plastic waste on marine life. We learn that chlorinated dioxins and other man-made Persistent Organic Pollutants are attracted to the plastic fragments. These are eaten by fish, which absorb the toxins. We then eat the fish, accumulating more poisonous chemicals in our already burdened bodies. Meanwhile, global warming, accelerated by these emissions from landfill and incineration, is melting the ice-caps and releasing decades of these old poisons, which had been stored in the ice, back into the sea. And we learn that some of the solutions are as frightening and toxic as the problem itself.
We hope the film will demonstrate that by changing the way we live our lives, we can contribute to our own survival and well-being and ultimately that of the planet.
Academy Award winning actor Jeremy Irons is no stranger to taking centre stage. But his role as our guide in TRASHED highlighting solutions to the pressing environmental problems facing us all, could well be his most important yet. "We've made this movie, because there are so many people who feel strongly the urgent need for the problem of 'waste' and 'sustainability' to be addressed," Irons says. "There is an equally urgent need for the most imaginative and productive solutions to this troublesome subject to be understood and shared by as many communities as possible throughout the world. This is where movies can play such an important role, educating society, bringing 'difficult' subjects to the broadest possible audience.
If you look at Al Gore's Inconvenient Truth, like it or loathe it, everyone's heard of it. Potentially movies have the power to reach everyone, touch us on an emotional level and to galvanise us." Candida Brady spent over two years researching and filming TRASHED, but Brady has been focused on the problems of waste and the environment for most of her adult life. "As a lifelong asthmatic I have always been interested in the effects of pollution. But it was meeting an environmental doctor (who saved my life) that opened my eyes to the direct effects the environment has on our health," explains Brady. "When I was young I was the only kid with an inhaler-these days it's fast becoming the opposite."
Having faced the worst through much of TRASHED, Jeremy Irons turns to hope. He goes in search of solutions. From individuals who have changed their lives and produce almost no waste, to increasing anti-waste legislation, to an entire city which is now virtually waste-free, he discovers that change is not only essential, but happening.
In the GUARDIAN, Oscar-winning actor, Jeremy Irons explains why he travelled around the world to highlight the environmental problems caused by our waste.
Jeremy Irons, the Oscar-winning actor, has teamed up with the British filmmaker Candida Brady to produce a new feature-length documentary called Trashed. It sets out to "discover the extent and effects of the global waste problem, as he travels around the world to beautiful destinations tainted by pollution".
Ahead of its first theatrical screenings in the US later this month, Irons answered my questions about the film via email...
We are used to actors/singers/celebrities, etc, highlighting a particular environmental cause, or narrating a documentary. But it is unusual to see someone such as yourself getting quite so involved in a project liked Trashed. [Irons was also executive producer.] How did you come to be involved so intimately in this film?
I wanted to help create a film on a subject of real social importance. Candida Brady and I talked over various possible subjects, but none, we felt, compared with the problem of waste, which affects us all, and which, despite all the evidence and research available, is not being seriously faced. I felt such a film should be made for theatrical release, rather than TV and such documentaries seem to need a personality on which to hang them. As an actor I've always seen myself as a sort of storyteller and my involvement in Trashed seemed a logical progression of that role. Apart from being the face on the screen, I was also able to help with raising the finance, and in persuading my friend Vangelis [who scored the film] to come on board with us.
You travel widely in the film - Vietnam, France, Iceland, Beirut, San Francisco, Yorkshire, the world's oceans - to report both on the problems and potential solutions associated with wasteful consumerism. Which places/people stood out for you - and why?
Each place had its particular effect on me. Sidon [south of Beirut] showed me what happens if you do nothing. [The film shows a huge rubbish dump on the beach.] Iceland showed me how state agencies can so easily be seduced by experts who promise to make their problems go away, but who become conspicuously absent when their promises do not deliver. With so many "Waste to Energy" plants applying for planning in the UK, Iceland and France's experience of them was a real eye-opener for me.
The danger of dioxins in our environment, our food chain and our bodies is difficult to illustrate, since they are not visible to the naked eye. My time in Vietnam allowed me to see the result of large quantities of them, and therefore understand better the insidiousness of the smaller quantities that have found their way into our lives and bodies.
Yorkshire and Gloucestershire, with their massive toxic waste mounds, showed me the extent of the problem in my own back yard. Since we filmed, these problems have been further exacerbated by the recent research showing that the clay used under liners, designed to prevent contamination of ground water, actually enhance the process of the toxins leaching out!
And San Francisco gave me enormous hope that, if the will is there, then these problems can be dealt with, and in a commercially profitable way.
The film talks about that much-used term - "zero waste". How close can we ever realistically get to that goal? What's more important to tackle at present: reducing our waste stream, or adopting more sensible ways to manage/dispose of our waste?
San Francisco has actually reached 80% diversion or Zero Waste this year. New York, which creates 1.5% of total global waste, currently recycles only 15% of it. State and federal government should provide legislation which designs a waste management policy right across the country. In the UK there is a similar situation in that, depending where you live, the waste management policies and goals differ greatly. I believe that most people would like to cooperate in reducing waste, but to encourage them the national policy should be clear, well advertised and consistent. Even within Greater London there is a huge discrepancy between council policies. I believe a national waste management initiative should be designed and implemented by government. Not to burn it or bury it, but to design and encourage its reduction and recycling. This time of rising unemployment seems ideally suited to the creation of a new and forward-thinking industry that could be profitable and create new jobs. If we became world leaders in recycling technology, then that expertise could be exported around the world.
The film is very critical of incineration and energy-from-waste plants, in particular the dioxins they release into the atmosphere. But was it proportionate to show footage of jars containing preserved foetuses with birth defects in a hospital in Vietnam to make the point about the health risk of exposure to high levels of dioxins? Can you really compare the health impact caused by the spraying of Agent Orange during the Vietnam war with the dioxins emitted by incinerators?
To enlarge on my earlier answer, Candida Brady, the director, thought long and hard about this and decided to show the foetuses for two reasons; firstly, because dioxins and furans, PCBs, etc, are all just words, until you can actually see and understand the impact these compounds are capable of having in the human body and on life in general. We felt it was important to show this. And, secondly, a 2001 BBC Newsnight investigation found that ash from a London incinerator, dumped in the open, had a similar level of dioxins to Vietnamese soil after the spraying of Agent Orange. This is just one example we found.
And it should be borne in mind that the monitoring of dioxin emissions in the UK could be described as casual, if not cavalier. Incinerator filters are only checked between two and four times annually for a few hours at a time. Even Belgium, which boasts the most advanced measuring system, only measures emissions over a two-week period, before averaging those emissions out over the year. Nowhere are emissions monitored constantly. So the truth is that the real quantity of dioxin emissions from incineration remains unknown.
Finally, it is important to remember that, in the past, medical research generally looked only into the effects of these compounds at high dosage, whereas recently they have discovered evidence that dioxins are having an effect on foetuses at very, very low doses.
The film gives thanks to Sigrid Rausing at the end, presumably because she, or her trust, financially supported the film. Of course, the Rausing family famously made its fortune from food packaging. What message do you send to the packaging industry? Is it right to cast it as a "villain"? Or could it also be the key to solving our waste problem?
Tetra Pak are a good example of a company working hard to produce recyclable products, and we are very grateful to the Rausing Trust for their involvement. We tried not to cast any one as the villain in the film. Over-packaging is a complicated, though not insurmountable, problem. We have become used to food and consumables which are transported often over great distances. Intelligent packaging is essential, but I believe it should be reusable or returnable for reuse. Toxic chemicals used in the manufacture of food packaging is another, even more alarming, part of the problem. Four hundred million tonnes of chemicals are produced each year and according to a European Commission, information on the risks inherent in 99% of them is 'sketchy'. This is a regulatory issue. We need to stop toxic chemicals being used in these products in the first place.
You visit San Francisco at the end of the film and largely paint it as a beacon of hope - a place that's "doing it right" when it comes to managing waste. What other examples of "hope" and best practice can you give?
Happily, lots. There are wonderful things happening all around the world. From Nova Scotia to Kerala, Bristol to Melbourne, and even in the Philippines, zero waste is on the agenda. I think what's particularly inspiring is when communities don't wait to be told what to do, but just go ahead and do it. In northern Italy, many villages and towns have used their own initiative and achieved 70% diversion, in some cases, in less than a year.
Are we, as individual consumers, ultimately responsible for this global waste problem? Or is, in reality, now the responsibility of politicians, regulators, industry leaders, etc, to sort it out?
It is everyone's problem and all of our responsibility. It's time we were all informed and it's time to get angry and maybe even a little ashamed of ourselves. But it must be up to our elected representatives to do what they were elected for. To represent the best interests of those who put them where they are. To organise a system that will cut the amount of waste we produce, both domestically and industrially, and to mount a campaign to encourage us to recycle and re-use. Our population, and especially our children, the next generation, needs educating about the present problem of waste. For instance, plastic bag usage has risen in the last year in the UK. If you knew that there was a chance that your plastic bag was going to come back to you in your food, you might think twice about using it. The joy of the problem, unlike so many which confront us, is that it is easily surmountable.
When you were researching the film, what were your sources for information and inspiration? Was there, say, a book, film, or academic paper, that particularly influenced you?
Candida Brady collected an amazing amount of research on the subject. She would pass me that information if and when I needed it. There are more than 81 peer-reviewed published scientific papers on the film's website, most of them sources for the film. I think she would agree that the paper which disturbed her more than anything was a 2009 study of umbilical cord blood, which found up to 232 man-made industrial compounds and pollutants present in a child before it is even born. Ten out of ten babies were shown to have chlorinated dioxins in their blood.
Who are you hoping will see the film? How/where will it be distributed? Television, theatrical release, festivals, schools?
It opens in the US on the 14th December at The Quad in New York and Laemmle in LA. It will be released in South America and the UK in the spring, and we are presently finalising the distribution in Japan. Of course, I hope it will finally get distributed all around the globe, since this is clearly a global problem. We have plans to screen it for government, both in London and Washington, and I would hope that all local councils will be made aware of its presence. I cannot believe that once our policy makers have seen it they will not be forced to take action. But it is my dream to find a backer who would finance a shorter cut that we could send out to every school in the world to play in the classroom. I have no doubt, that if seen by the world's children, then, if we don't deal with the problem, they will.
What do you want people to do once they've seen the film?
I would like them to research whether there is a waste-to-energy plant planned for their area, and, if there is, to oppose it. If there is not, then to discover how their local council deals with their waste. I would like them to lobby their MPs for legislation designed to cut waste and to regulate the production of packaging, particularly plastics containing unreported toxins, and particularly where this packaging is used for foodstuffs and bottled water. I would like them to remove all packaging at the point of purchase, thereby pushing the problem one step back towards the manufacturers.
I would like them to use their ingenuity to discover how they can reduce waste both at home and in their workplace. I would like everybody to give a good shopping bag to at least one person this Christmas. And I would like them to tell their friends to see Trashed.
Ahead of its first theatrical screenings in the US later this month, Irons answered my questions about the film via email...
We are used to actors/singers/celebrities, etc, highlighting a particular environmental cause, or narrating a documentary. But it is unusual to see someone such as yourself getting quite so involved in a project liked Trashed. [Irons was also executive producer.] How did you come to be involved so intimately in this film?
I wanted to help create a film on a subject of real social importance. Candida Brady and I talked over various possible subjects, but none, we felt, compared with the problem of waste, which affects us all, and which, despite all the evidence and research available, is not being seriously faced. I felt such a film should be made for theatrical release, rather than TV and such documentaries seem to need a personality on which to hang them. As an actor I've always seen myself as a sort of storyteller and my involvement in Trashed seemed a logical progression of that role. Apart from being the face on the screen, I was also able to help with raising the finance, and in persuading my friend Vangelis [who scored the film] to come on board with us.
You travel widely in the film - Vietnam, France, Iceland, Beirut, San Francisco, Yorkshire, the world's oceans - to report both on the problems and potential solutions associated with wasteful consumerism. Which places/people stood out for you - and why?
Each place had its particular effect on me. Sidon [south of Beirut] showed me what happens if you do nothing. [The film shows a huge rubbish dump on the beach.] Iceland showed me how state agencies can so easily be seduced by experts who promise to make their problems go away, but who become conspicuously absent when their promises do not deliver. With so many "Waste to Energy" plants applying for planning in the UK, Iceland and France's experience of them was a real eye-opener for me.
The danger of dioxins in our environment, our food chain and our bodies is difficult to illustrate, since they are not visible to the naked eye. My time in Vietnam allowed me to see the result of large quantities of them, and therefore understand better the insidiousness of the smaller quantities that have found their way into our lives and bodies.
Yorkshire and Gloucestershire, with their massive toxic waste mounds, showed me the extent of the problem in my own back yard. Since we filmed, these problems have been further exacerbated by the recent research showing that the clay used under liners, designed to prevent contamination of ground water, actually enhance the process of the toxins leaching out!
And San Francisco gave me enormous hope that, if the will is there, then these problems can be dealt with, and in a commercially profitable way.
The film talks about that much-used term - "zero waste". How close can we ever realistically get to that goal? What's more important to tackle at present: reducing our waste stream, or adopting more sensible ways to manage/dispose of our waste?
San Francisco has actually reached 80% diversion or Zero Waste this year. New York, which creates 1.5% of total global waste, currently recycles only 15% of it. State and federal government should provide legislation which designs a waste management policy right across the country. In the UK there is a similar situation in that, depending where you live, the waste management policies and goals differ greatly. I believe that most people would like to cooperate in reducing waste, but to encourage them the national policy should be clear, well advertised and consistent. Even within Greater London there is a huge discrepancy between council policies. I believe a national waste management initiative should be designed and implemented by government. Not to burn it or bury it, but to design and encourage its reduction and recycling. This time of rising unemployment seems ideally suited to the creation of a new and forward-thinking industry that could be profitable and create new jobs. If we became world leaders in recycling technology, then that expertise could be exported around the world.
The film is very critical of incineration and energy-from-waste plants, in particular the dioxins they release into the atmosphere. But was it proportionate to show footage of jars containing preserved foetuses with birth defects in a hospital in Vietnam to make the point about the health risk of exposure to high levels of dioxins? Can you really compare the health impact caused by the spraying of Agent Orange during the Vietnam war with the dioxins emitted by incinerators?
To enlarge on my earlier answer, Candida Brady, the director, thought long and hard about this and decided to show the foetuses for two reasons; firstly, because dioxins and furans, PCBs, etc, are all just words, until you can actually see and understand the impact these compounds are capable of having in the human body and on life in general. We felt it was important to show this. And, secondly, a 2001 BBC Newsnight investigation found that ash from a London incinerator, dumped in the open, had a similar level of dioxins to Vietnamese soil after the spraying of Agent Orange. This is just one example we found.
And it should be borne in mind that the monitoring of dioxin emissions in the UK could be described as casual, if not cavalier. Incinerator filters are only checked between two and four times annually for a few hours at a time. Even Belgium, which boasts the most advanced measuring system, only measures emissions over a two-week period, before averaging those emissions out over the year. Nowhere are emissions monitored constantly. So the truth is that the real quantity of dioxin emissions from incineration remains unknown.
Finally, it is important to remember that, in the past, medical research generally looked only into the effects of these compounds at high dosage, whereas recently they have discovered evidence that dioxins are having an effect on foetuses at very, very low doses.
The film gives thanks to Sigrid Rausing at the end, presumably because she, or her trust, financially supported the film. Of course, the Rausing family famously made its fortune from food packaging. What message do you send to the packaging industry? Is it right to cast it as a "villain"? Or could it also be the key to solving our waste problem?
Tetra Pak are a good example of a company working hard to produce recyclable products, and we are very grateful to the Rausing Trust for their involvement. We tried not to cast any one as the villain in the film. Over-packaging is a complicated, though not insurmountable, problem. We have become used to food and consumables which are transported often over great distances. Intelligent packaging is essential, but I believe it should be reusable or returnable for reuse. Toxic chemicals used in the manufacture of food packaging is another, even more alarming, part of the problem. Four hundred million tonnes of chemicals are produced each year and according to a European Commission, information on the risks inherent in 99% of them is 'sketchy'. This is a regulatory issue. We need to stop toxic chemicals being used in these products in the first place.
You visit San Francisco at the end of the film and largely paint it as a beacon of hope - a place that's "doing it right" when it comes to managing waste. What other examples of "hope" and best practice can you give?
Happily, lots. There are wonderful things happening all around the world. From Nova Scotia to Kerala, Bristol to Melbourne, and even in the Philippines, zero waste is on the agenda. I think what's particularly inspiring is when communities don't wait to be told what to do, but just go ahead and do it. In northern Italy, many villages and towns have used their own initiative and achieved 70% diversion, in some cases, in less than a year.
Are we, as individual consumers, ultimately responsible for this global waste problem? Or is, in reality, now the responsibility of politicians, regulators, industry leaders, etc, to sort it out?
It is everyone's problem and all of our responsibility. It's time we were all informed and it's time to get angry and maybe even a little ashamed of ourselves. But it must be up to our elected representatives to do what they were elected for. To represent the best interests of those who put them where they are. To organise a system that will cut the amount of waste we produce, both domestically and industrially, and to mount a campaign to encourage us to recycle and re-use. Our population, and especially our children, the next generation, needs educating about the present problem of waste. For instance, plastic bag usage has risen in the last year in the UK. If you knew that there was a chance that your plastic bag was going to come back to you in your food, you might think twice about using it. The joy of the problem, unlike so many which confront us, is that it is easily surmountable.
When you were researching the film, what were your sources for information and inspiration? Was there, say, a book, film, or academic paper, that particularly influenced you?
Candida Brady collected an amazing amount of research on the subject. She would pass me that information if and when I needed it. There are more than 81 peer-reviewed published scientific papers on the film's website, most of them sources for the film. I think she would agree that the paper which disturbed her more than anything was a 2009 study of umbilical cord blood, which found up to 232 man-made industrial compounds and pollutants present in a child before it is even born. Ten out of ten babies were shown to have chlorinated dioxins in their blood.
Who are you hoping will see the film? How/where will it be distributed? Television, theatrical release, festivals, schools?
It opens in the US on the 14th December at The Quad in New York and Laemmle in LA. It will be released in South America and the UK in the spring, and we are presently finalising the distribution in Japan. Of course, I hope it will finally get distributed all around the globe, since this is clearly a global problem. We have plans to screen it for government, both in London and Washington, and I would hope that all local councils will be made aware of its presence. I cannot believe that once our policy makers have seen it they will not be forced to take action. But it is my dream to find a backer who would finance a shorter cut that we could send out to every school in the world to play in the classroom. I have no doubt, that if seen by the world's children, then, if we don't deal with the problem, they will.
What do you want people to do once they've seen the film?
I would like them to research whether there is a waste-to-energy plant planned for their area, and, if there is, to oppose it. If there is not, then to discover how their local council deals with their waste. I would like them to lobby their MPs for legislation designed to cut waste and to regulate the production of packaging, particularly plastics containing unreported toxins, and particularly where this packaging is used for foodstuffs and bottled water. I would like them to remove all packaging at the point of purchase, thereby pushing the problem one step back towards the manufacturers.
I would like them to use their ingenuity to discover how they can reduce waste both at home and in their workplace. I would like everybody to give a good shopping bag to at least one person this Christmas. And I would like them to tell their friends to see Trashed.
'Trashed' opens in selected cinemas in America on December 14th 2012. The documentary received its world premiere at a Special
Screening at the Cannes Film Festival earlier in the year.
In this visually and emotional film which manages to be both horrific and beautiful, Jeremy takes us on a journey to explore the risks to the food chain and the environment through the pollution of our air, land and sea by household trash.
This is a wake up call but a positive one. It ends on a message of hope - we can all do something and stop the problem. The film has already garnered a considerable worldwide grassroots following with the trailer already viewed over one million times. 'Trashed' will qualify for Academy Award consideration with a wider, global theatrical release to follow in 2013. It features a soundtrack composed and performed by another Academy Award Winner, Vangelis.
You can view 'Trashed' in LA on December the 14th at The Laemmle's Noho 7. 5240 Lankershim Blvd, North Hollywood, 91601. Captain Charles Moore and Candida Brady (Director) will be attending and taking part in questions and answers after the screening.
Jeremy Irons will be attending the opening screening in New York on 14th December at The Quad, 34 West 13th Street, New York. Showing times are 1.00, 5.20 and 7.20 PM daily. There will also be a questions and answers session at the end.
Since the world premiere 'Trashed' has picked up nominations, awards and taken centre stage at several leading international film festivals, from Raindance in London where it was nominated for best documentary to the Tokyo Film Festival where the film won the Special Jury prize.
